Glossary, Whole-Tone Scale
   
Glossary
Acoustic
Acoustics
Ancohemitonic

Set Theory
Atonal Theory

Set Theory
Atritonic

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Augmented
Avoid Note
Bebop
Blues
Cardinality

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Cardinality Equivalence

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Cent
Chord
Chord Formula
Chord Type
Chromatic Cluster

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Chromatic Scale
Clock Diagram

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Cluster-free

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Cohemitonic

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Common Practice
Compatibility
Complement

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Consonance
Diatonic
Diminished
Double Augmented Hexatonic
Double Diminished (Octatonic)
Eleventh
Enharmonic Equivalent
Evenness

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Fifth
Forte Number

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Fourth
Guitar
Harmonic Major
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Interval Class

Set Theory
Interval Content

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Inversion
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Jazz
Jazz Theory
Key
Keyboard
Lewin-Quinn FC-components

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Limited Transposition

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M-Relation

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Major
Melody
Minor
Mode
Ninth
Note
OC-Equivalence

Set Theory
OPC-Equivalence

Set Theory
OPTC-Equivalence

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OPTIC-Equivalence

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OPTIC/K-Equivalence

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OTC-Equivalence

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Octatonic
Octave
Octave-Equivalence

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Other Scales
Parallel Key
Pentatonic
Permutation Equivalence

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Playing Outside
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Quartal

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Reharmonization
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Scale
Second
Semitone
Set Class

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Seventh
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Tenth
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Thirteenth
Tonality
Tonic
Transposition
Triad
Tritone
Tritonic

Set Theory
Tuning Systems
Twelfth
Twelve-tone Equal Temperament
Unison
Voice Leading
Whole Tone
Whole-Tone Scale
Z-Relation

Set Theory


Whole-Tone Scale

Glossary

The whole-tone scale is the unordered set of notes (set class) consisting of six whole tone intervals. The scale is a mode of limited transposition.

The whole-tone scale is perfectly even and has only one mode, and only two transpositions. Each transposition of the whole tone scale is two semitone-voice-leading steps away from six of the twelve transpositions of the acoustic scale.

See Beyond Diatonic for more on the set class for this scale.