Glossary, Double Augmented Hexatonic
   
Glossary
Acoustic
Acoustics
Ancohemitonic

Set Theory
Atonal Theory

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Atritonic

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Augmented
Avoid Note
Bebop
Blues
Cardinality

Set Theory
Cardinality Equivalence

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Cent
Chord
Chord Formula
Chord Type
Chromatic Cluster

Set Theory
Chromatic Scale
Clock Diagram

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Cluster-free

Set Theory
Cohemitonic

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Common Practice
Compatibility
Complement

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Consonance
Diatonic
Diminished
Double Augmented Hexatonic
Double Diminished (Octatonic)
Eleventh
Enharmonic Equivalent
Evenness

Set Theory
Fifth
Forte Number

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Fourth
Guitar
Harmonic Major
Harmonic Minor
Harmony
Interval
Interval Class

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Interval Content

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Inversion
Involution

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Jazz
Jazz Theory
Key
Keyboard
Lewin-Quinn FC-components

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Limited Transposition

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M-Relation

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Major
Melody
Minor
Mode
Ninth
Note
OC-Equivalence

Set Theory
OPC-Equivalence

Set Theory
OPTC-Equivalence

Set Theory
OPTIC-Equivalence

Set Theory
OPTIC/K-Equivalence

Set Theory
OTC-Equivalence

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Octatonic
Octave
Octave-Equivalence

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Other Scales
Parallel Key
Pentatonic
Permutation Equivalence

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Piano
Pitch
Pitch Class

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Playing Outside
Prime Form

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Quartal

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Reharmonization
Relative Key
Rhythm
Roman Numeral Function
Root
Scale
Second
Semitone
Set Class

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Seventh
Sixth
Slash Chords
Suspended
Symmetry

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Tenth
Tertiary
Third
Thirteenth
Tonality
Tonic
Transposition
Triad
Tritone
Tritonic

Set Theory
Tuning Systems
Twelfth
Twelve-tone Equal Temperament
Unison
Voice Leading
Whole Tone
Whole-Tone Scale
Z-Relation

Set Theory


Double Augmented Hexatonic

Glossary

The hexatonic (six-note) double augmented scale consists of alternating semitone and minor third intervals. This scale is a mode of limited transposition and can be thought of as two interlocking augmented chords.

(The other scale that contains two interlocking augmented chords is the whole-tone scale.)

This scale is related to the harmonic major and harmonic minor scales by short voice leadings. See Beyond Diatonic for more on the set class for this scale.