Interval
Glossary
Two notes played sequentially or simultaneously form an interval. An interval measures the distance between notes in semitones (one twelfth of an octave.) All chords and scales are formed by two or more intervals (three or more notes), so intervals are as fundamental to harmony as pitch or notes. Some intervals have multiple names (for historical tuning reasons, and for theoretical reasons).
For a simple primer on intervals, read Pitch & Intervals.
Semitones
Name of Interval
Formula
Mnemonic
0
Unison
R
—
1
Semitone
♭2
Jaws
1
Half-step
♭2
Jaws
1
Minor Second
♭2
Jaws
2
Whole Tone
2
Happy Birthday
2
Whole-step
2
Happy Birthday
2
Major Second
2
Happy Birthday
3
Minor Third
♭3
Brahams’ Lullaby
3
Augmented Second
2Brahams’ Lullaby
4
Major Third
3
Davy Crockett
4
Diminished Fourth
♭4
Davy Crockett
5
Perfect Fourth
4
Eine Kleine Nachtmusik
5
Augmented Third
3Eine Kleine Nachtmusik
6
Tritone
♭5
4 or The Simpsons Theme
6
Augmented Fourth
4The Simpsons Theme
6
Diminished Fifth
♭5
The Simpsons Theme
7
Perfect Fifth
5
Star Wars: Luke’s Theme
8
Minor Sixth
♭6
In My Life
8
Augmented Fifth
5In My Life
9
Diminished Seventh
♭♭7
My Bonnie Lies Over the Ocean
9
Major Sixth
6
My Bonnie Lies Over the Ocean
10
Minor Seventh
♭7
Star Trek
10
Augmented Sixth
6Star Trek
11
Major Seventh
7
Take on Me
12
Octave
8va
Somewhere Over the Rainbow
13
Minor Ninth
♭9
—
14
Major Ninth
9
—
15
Augmented Ninth
9—
16
Diminished Eleventh
♭11
—
17
Perfect Eleventh
11
—
17
Octave + Fourth
8va + 4
—
18
Augmented Eleventh
11—
18
Octave + Tritone
8va +
4—
19
Perfect Twelfth
12 (bogus)
—
19
Octave + Fifth
8va + 5
—
20
Minor Thirteenth
♭13
—
21
Major Thirteenth
13
—
22
Augmented Thirteenth
13—
Interval Classes
In musical set theory, the octave and unison are not treated as intervals (see octave equivalence) and all possible intervals are grouped by inversion into six interval classes, denoted by colors in the intervals table.
-
Minor second / Major seventh
1 semitone + 11 semitones = 12 semitones (1 octave)
-
Major second / Minor seventh 2 semitones + 10 semitones = 12 semitones (1 octave)
-
Minor third / Major sixth
3 semitones + 9 semitones = 12 semitones (1 octave)
-
Major third / Minor sixth
4 semitones + 8 semitones = 12 semitones (1 octave)
-
Perfect fourth / Perfect fifth
5 semitones + 7 semitones = 12 semitones (1 octave)
-
Tritone (its own inversion)
6 semitones + 6 semitones = 12 semitones (1 octave)
Equal-tempered intervals that share an interval class (six classes above) have mathematically related tuning ratios (a × b = 2, e.g. P4 × P5 = 2, or 4/3 × 3/2 = 2), with the same amount of purity or impurity (tuning error compared to their just-intoned interval peers).
For more on interval classes, see Intervals as Prime Forms.
Two notes played sequentially or simultaneously form an interval. An interval measures the distance between notes in semitones (one twelfth of an octave.) All chords and scales are formed by two or more intervals (three or more notes), so intervals are as fundamental to harmony as pitch or notes. Some intervals have multiple names (for historical tuning reasons, and for theoretical reasons).
For a simple primer on intervals, read Pitch & Intervals.
Semitones | Name of Interval | Formula | Mnemonic |
---|---|---|---|
0 | Unison | R | — |
1 | Semitone | ♭2 | Jaws |
1 | Half-step | ♭2 | Jaws |
1 | Minor Second | ♭2 | Jaws |
2 | Whole Tone | 2 | Happy Birthday |
2 | Whole-step | 2 | Happy Birthday |
2 | Major Second | 2 | Happy Birthday |
3 | Minor Third | ♭3 | Brahams’ Lullaby |
3 | Augmented Second | 2 | Brahams’ Lullaby |
4 | Major Third | 3 | Davy Crockett |
4 | Diminished Fourth | ♭4 | Davy Crockett |
5 | Perfect Fourth | 4 | Eine Kleine Nachtmusik |
5 | Augmented Third | 3 | Eine Kleine Nachtmusik |
6 | Tritone | ♭5 | 4 orThe Simpsons Theme |
6 | Augmented Fourth | 4 | The Simpsons Theme |
6 | Diminished Fifth | ♭5 | The Simpsons Theme |
7 | Perfect Fifth | 5 | Star Wars: Luke’s Theme |
8 | Minor Sixth | ♭6 | In My Life |
8 | Augmented Fifth | 5 | In My Life |
9 | Diminished Seventh | ♭♭7 | My Bonnie Lies Over the Ocean |
9 | Major Sixth | 6 | My Bonnie Lies Over the Ocean |
10 | Minor Seventh | ♭7 | Star Trek |
10 | Augmented Sixth | 6 | Star Trek |
11 | Major Seventh | 7 | Take on Me |
12 | Octave | 8va | Somewhere Over the Rainbow |
13 | Minor Ninth | ♭9 | — |
14 | Major Ninth | 9 | — |
15 | Augmented Ninth | 9 | — |
16 | Diminished Eleventh | ♭11 | — |
17 | Perfect Eleventh | 11 | — |
17 | Octave + Fourth | 8va + 4 | — |
18 | Augmented Eleventh | 11 | — |
18 | Octave + Tritone | 8va + | 4— |
19 | Perfect Twelfth | 12 (bogus) | — |
19 | Octave + Fifth | 8va + 5 | — |
20 | Minor Thirteenth | ♭13 | — |
21 | Major Thirteenth | 13 | — |
22 | Augmented Thirteenth | 13 | — |
Interval Classes
In musical set theory, the octave and unison are not treated as intervals (see octave equivalence) and all possible intervals are grouped by inversion into six interval classes, denoted by colors in the intervals table.
-
Minor second / Major seventh
1 semitone + 11 semitones = 12 semitones (1 octave)
-
Major second / Minor seventh 2 semitones + 10 semitones = 12 semitones (1 octave)
-
Minor third / Major sixth
3 semitones + 9 semitones = 12 semitones (1 octave)
-
Major third / Minor sixth
4 semitones + 8 semitones = 12 semitones (1 octave)
-
Perfect fourth / Perfect fifth
5 semitones + 7 semitones = 12 semitones (1 octave)
-
Tritone (its own inversion)
6 semitones + 6 semitones = 12 semitones (1 octave)
Equal-tempered intervals that share an interval class (six classes above) have mathematically related tuning ratios (a × b = 2, e.g. P4 × P5 = 2, or 4/3 × 3/2 = 2), with the same amount of purity or impurity (tuning error compared to their just-intoned interval peers).
For more on interval classes, see Intervals as Prime Forms.