Glossary, Interval
   
Glossary
Acoustic
Acoustics
Ancohemitonic

Set Theory

Atonal Theory

Set Theory

Atritonic

Set Theory

Augmented
Avoid Note
Bebop
Blues
Cardinality

Set Theory

Cardinality Equivalence

Set Theory

Cent
Chord
Chord Formula
Chord Type
Chromatic Cluster

Set Theory

Chromatic Scale
Clock Diagram

Set Theory

Cluster-free

Set Theory

Cohemitonic

Set Theory

Common Practice
Compatibility
Complement

Set Theory

Consonance
Diatonic
Diminished
Double Augmented Hexatonic
Double Diminished (Octatonic)
Eleventh
Enharmonic Equivalent
Evenness

Set Theory

Fifth
Forte Number

Set Theory

Fourth
Guitar
Harmonic Major
Harmonic Minor
Harmony
Interval
Interval Class

Set Theory

Interval Content

Set Theory

Inversion
Involution

Set Theory

Jazz
Jazz Theory
Key
Keyboard
Lewin-Quinn FC-components

Set Theory

Limited Transposition

Set Theory

M-Relation

Set Theory

Major
Melody
Minor
Mode
Ninth
Note
OC-Equivalence

Set Theory

OPC-Equivalence

Set Theory

OPTC-Equivalence

Set Theory

OPTIC-Equivalence

Set Theory

OPTIC/K-Equivalence

Set Theory

OTC-Equivalence

Set Theory

Octatonic
Octave
Octave-Equivalence

Set Theory

Other Scales
Parallel Key
Pentatonic
Permutation Equivalence

Set Theory

Piano
Pitch
Pitch Class

Set Theory

Playing Outside
Prime Form

Set Theory

Quartal

Set Theory

Reharmonization
Relative Key
Rhythm
Roman Numeral Function
Root
Scale
Second
Semitone
Set Class

Set Theory

Seventh
Sixth
Slash Chords
Suspended
Symmetry

Set Theory

Tenth
Tertiary
Third
Thirteenth
Tonality
Tonic
Transposition
Triad
Tritone
Tritonic

Set Theory

Tuning Systems
Twelfth
Twelve-tone Equal Temperament
Unison
Voice Leading
Whole Tone
Whole-Tone Scale
Z-Relation

Set Theory



Interval

Glossary

Two notes played sequentially or simultaneously form an interval. An interval measures the distance between notes in semitones (one twelfth of an octave.) All chords and scales are formed by two or more intervals (three or more notes), so intervals are as fundamental to harmony as pitch or notes. Some intervals have multiple names (for historical tuning reasons, and for theoretical reasons).

For a simple primer on intervals, read Pitch & Intervals.

Two octaves of piano keyboard, colored to show interval classes and labeled with names of intervals and number of semitones from root
Semitones Name of Interval Formula Mnemonic
0 Unison R
1 Semitone 2 Jaws
1 Half-step 2 Jaws
1 Minor Second 2 Jaws
2 Whole Tone 2 Happy Birthday
2 Whole-step 2 Happy Birthday
2 Major Second 2 Happy Birthday
3 Minor Third 3 Brahams’ Lullaby
3 Augmented Second 2 Brahams’ Lullaby
4 Major Third 3 Davy Crockett
4 Diminished Fourth 4 Davy Crockett
5 Perfect Fourth 4 Eine Kleine Nachtmusik
5 Augmented Third 3 Eine Kleine Nachtmusik
6 Tritone 4 or 5 The Simpsons Theme
6 Augmented Fourth 4 The Simpsons Theme
6 Diminished Fifth 5 The Simpsons Theme
7 Perfect Fifth 5 Star Wars: Luke’s Theme
8 Minor Sixth 6 In My Life
8 Augmented Fifth 5 In My Life
9 Diminished Seventh ♭♭7 My Bonnie Lies Over the Ocean
9 Major Sixth 6 My Bonnie Lies Over the Ocean
10 Minor Seventh 7 Star Trek
10 Augmented Sixth 6 Star Trek
11 Major Seventh 7 Take on Me
12 Octave 8va Somewhere Over the Rainbow
13 Minor Ninth 9
14 Major Ninth 9
15 Augmented Ninth 9
16 Diminished Eleventh 11
17 Perfect Eleventh 11
17 Octave + Fourth 8va + 4
18 Augmented Eleventh 11
18 Octave + Tritone 8va + 4
19 Perfect Twelfth 12 (bogus)
19 Octave + Fifth 8va + 5
20 Minor Thirteenth 13
21 Major Thirteenth 13
22 Augmented Thirteenth 13

Interval Classes

In musical set theory, the octave and unison are not treated as intervals (see octave equivalence) and all possible intervals are grouped by inversion into six interval classes, denoted by colors in the intervals table.

  1. Minor second / Major seventh
    1 semitone + 11 semitones = 12 semitones (1 octave)
     

  2. Major second / Minor seventh
    2 semitones + 10 semitones = 12 semitones (1 octave)
     

  3. Minor third / Major sixth
    3 semitones + 9 semitones = 12 semitones (1 octave)
     

  4. Major third / Minor sixth
    4 semitones + 8 semitones = 12 semitones (1 octave)
     

  5. Perfect fourth / Perfect fifth
    5 semitones + 7 semitones = 12 semitones (1 octave)
     

  6. Tritone (its own inversion)
    6 semitones + 6 semitones = 12 semitones (1 octave)

Equal-tempered intervals that share an interval class (six classes above) have mathematically related tuning ratios (a × b = 2, e.g. P4 × P5 = 2, or 4/3 × 3/2 = 2), with the same amount of purity or impurity (tuning error compared to their just-intoned interval peers).

For more on interval classes, see Intervals as Prime Forms.